Go from rough ideas to polished, radio-ready tracks with an incredible collection of 50 technical tips + 9 start to finish mixing & mastering courses, spanning over 25+ hours of 115 no bullshit videos.
Mix Master Flow TUTORiAL
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So I did what any motivated millennial would do, I scoured the internet for answers: I watched countless tutorials, talked to other artists, read every blog post I could find, watched every Youtube tutorial...
Watch the Hyperbits team of producers tackle 3 stereo masters from scratch, as they explain the entire process step by step, using inflation, excitement, compression, limiting, and EQ to bring your music to proper LUFS & RMS levels.
Totaling in over 4+ hours, you will learn the exact formula followed by the Hyperbits team to create loud, commercially viable masters that stand up against your favorite artists, without sacrificing any dynamic range or emotional clarity.
Stem mastering is perhaps the most important workflow that ONLY professional artists seem to be talking about. You see, stem mastering is same process as mastering, but instead of access to one stem, you have access to 8-20 additional stems or groups.
Why is this so important? Because you have a lot more source material in order to make the necessary edits to bring your track to the next level of commercial quality and professionalism. In over 7+ hours of video, watch the Hyperbits team explain the revolutionary process of stem mastering to help create the absolute best results possible.
After a few too many coffees and Red Bulls, our team decided we needed to record ALL 50 of our favorite mixing tips. The result? 50 ridiculously informative, actionable and helpful mixing and mastering for you to implement in your music right away.
Totaling in over 4+ hours, you will learn the exact formula followed by the Hyperbits team to create loud, commercially viable masters that stand up against your favorite artists, without sacrificing dynamic range or emotional clarity.
Students of Mix Master Flow who get this bonus will have access to a thorough, live classroom question & answer session with our instructors, where students have the opportunity to get your mixing and mastering questions answered.
To give you an idea of how much cleaner Custom Metadata-driven flows are, take a look at the before and after of this After-Save Case flow that maps record types with queues. The solution utilized Custom Metadata records that store a Queue Developer Name, a RecordType Developer Name, and the Department field to update on the case dynamically.
Check out this great article on UnofficialSF written by the VP of Product at Salesforce, Alex Edelstein, on how you can build a 500-screen equivalent flow using only custom object records (DiagnosticNode/DiagnosticOutcome) and standard Flow functionality.
As an example, create a Get Records lookup step on the RecordType object. Then, in your conditions, provide the DeveloperName and Object field, and store the found Record ID (Record Type ID) for later use in your flow.
Within your loop, you have your Loop element (1), a Decision element (2), an Assignment step to set some variables in your looped record (3), and a step in which you add that record to a collection to update, create, or delete later in the flow (4). Each of those four elements within the loop will count toward your execution limit. This means your loop over 1,500 records will have 6,000 executed elements, which will far exceed the iteration limit.
Every object should have an automation strategy based on the needs of the business and the Salesforce team supporting it. In general, you should choose one automation tool per object. One of the many inevitable scenarios of older orgs is to have Apex triggers mix in with autolaunched flows/processes or, more recently, process builders mixed in with record-triggered flows. This can lead to a variety of issues including:
There are also some use cases involving record dates where you could configure a scheduled path on a record-triggered flow instead. Scheduled paths have more flexible governor limits and also allow for configurable batch sizes, so that may offer a middle ground between Apex and schedule-triggered flows.
1. Documented elements and descriptions: Make sure your flow has a solid description, a decent naming convention for variables, and descriptions for Flow elements that might not make sense if you revisit them in 6 months.
The array of possible workflows can make it hard to know where to begin when implementing Git in the workplace. This page provides a starting point by surveying the most common Git workflows for software teams.
However, using Git to power your development workflow presents a few advantages over SVN. First, it gives every developer their own local copy of the entire project. This isolated environment lets each developer work independently of all other changes to a project - they can add commits to their local repository and completely forget about upstream developments until it's convenient for them.
The Centralized Workflow is essentially a building block for other Git workflows. Most popular Git workflows will have some sort of centralized repo that individual developers will push and pull from. Below we will briefly discuss some other popular Git workflows. These extended workflows offer more specialized patterns in regard to managing branches for feature development, hot fixes, and eventual release.
Feature Branching is a logical extension of Centralized Workflow. The core idea behind the Feature Branch Workflow is that all feature development should take place in a dedicated branch instead of the main branch. This encapsulation makes it easy for multiple developers to work on a particular feature without disturbing the main codebase. It also means the main branch should never contain broken code, which is a huge advantage for continuous integration environments.
In this document we discussed Git workflows. We took an in-depth look at a Centralized Workflow with practical examples. Expanding on the Centralized Workflow we discussed additional specialized workflows. Some key takeaways from this document are:
Also, if I wanted to, I could set any one of these masters to play back on my system at -14 LUFs and hear how it sounds against a normalized Spotify playlist. This too will tell me a lot about where I stand.
Ever felt that your music could have sounded better? There are so many technical details to focus on when mixing and mastering that mistakes are common. LEVELS has presets for CD, Club, Streaming, Youtube and more to help you make sure your music sounds great wherever its heard.
An in-depth tutorial on how to use LEVELS when mastering audio. These tips will help you get the best possible sound for you music. Knowing more about the technical aspects of a mix can help you achieve your artistic goals and get your music sounding better than ever!
Aux channels receive a copy of the signal, leaving the original to continue on to a subgroup or the master bus. This is done via a send control, rather than the output, of the source channel(s). Sending a copy in this way allows you to maintain the original, unaltered signal, while simultaneously processing the copy, giving you independent control over each.
So, whether you just want to organize your tracks in subgroups or set up complex effects signal flow chains with auxiliary buses, mix buses can be a huge timesaver and simplify your work. As always, less work for you means more time staying creative, so why not get the best of both worlds and stay organized and creative? Good luck, and happy busing!
The signal path in Ozone 8 flows from left to right. From the image above, you can see that the signal passes through an equalizer first, followed by a multiband compressor, to a dynamic EQ, and then to a limiter.
Salt-wedge estuaries are the most stratified, or least mixed, of all estuaries (Molles, 2002; Ross, 1995). They are also called highly stratified estuaries. Salt-wedge estuaries occur when a rapidly flowing river discharges into the ocean where tidal currents are weak. The force of the river pushing fresh water out to sea rather than tidal currents transporting seawater upstream determines the water circulation in these estuaries. As fresh water is less dense than saltwater, it floats above the seawater. A sharp boundary is created between the water masses, with fresh water floating on top and a wedge of saltwater on the bottom. Some mixing does occur at the boundary between the two water masses, but it is generally slight. The location of the wedge varies with the weather and tidal conditions. Examples of salt-wedge estuaries are the Columbia River in Washington and Oregon, the Hudson River in New York, and the Mississippi River in Louisiana.
Fjords (pronounced fee-YORDS) are typically long, narrow valleys with steep sides that were created by advancing glaciers. As the glaciers receded they left deep channels carved into the Earth with a shallow barrier, or narrow sill, near the ocean. The sill restricts water circulation with the open ocean and dense seawater seldom flows up over the sill into the estuary. Typically, only the less dense fresh water near the surface flows over the sill and out toward the ocean. These factors cause fjords to experience very little tidal mixing; thus, the water remains highly stratified. Fjords are found along glaciated coastlines such as those of British Columbia, Alaska, Chile, New Zealand, and Norway.
This animation show blue-colored fresh water flowing over the narrow sill of the fjord on the far right-hand side of the image into the ocean. Almost none of the green-colored seawater is able to make it over the sill into the estuary.
In this animation, you can see the slight stratification of the blue-colored freshwater flowing from the river on the right hand side of the image, and the green- colored seawater from the ocean on the left hand side of the image flowing beneath it. 2ff7e9595c
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